THE WITCH-CRAFT HOME
A world of symbols, stories and witch-craft - created for those who believe creativity is a kind of magic.
Appliqué on recycled linen
A woman, suspended, inverted and unbound presses against uncertain edges. Her hair dissolves into the surrounding space, blurring the boundary between self and environment. An exploration of the space between endings and beginnings: a threshold that is both defined and infinite. She encounters a snake - a symbol of transformation and cyclical becoming. Her eyes closed ~ symbolising that she’s in a subconscious realm.
This is #1 of 4 in the Liminal Collection where a single image repeats across fibre, pain and print - shifting as it moves through each medium. Each material acts as its own world. Meaning is not fixed, but shaped by where and how.
Acrylic & wax Varnish on board - framed
A woman suspended and inverted ~ her hair dissolving into the surrounding space, blurring the boundary between self and environment. An exploration of the space between endings and beginnings: a threshold that is both defined and infinite. Her eyes closed ~ symbolising that she’s in a subconscious realm.
This is #2 of 4 in the Liminal Collection where a single image repeats across fibre, pain and print - shifting as it moves through each medium. Each material acts as its own world. Meaning is not fixed, but shaped by where and how.
Dimensions; 62.5 × 48.5 × 4cm
The New
LIMINAL
Collection
There are moments in life when we exist between identities, between states of being. As a mother, an artist, and a woman building a creative life, I often feel suspended in that space. Not fully anchored in one world or another, but drifting somewhere in between — a dreamlike state where intuition, imagination, and memory mingle.
Mixed Media; Linocut, embroidery & gold leaf on wall paper underlay - Unframed
A woman, suspended her hair dissolving abyss and reappearing in the surrounding space. An exploration of the space between endings and beginnings: a threshold that is both defined and infinite. She staring up at moon - a symbol if cyclical embodiment.
This is #4 of 4 in the Liminal Collection where a single image repeats across fibre, pain and print - shifting as it moves through each medium. Each material acts as its own world. Meaning is not fixed, but shaped by where and how.
Handprinted Linocut on Awagami okawara paper - Framed
A woman, suspended, inverted and unbound presses against uncertain edges. Her hair dissolves into the surrounding space, blurring the boundary between self and environment. An exploration of the space between endings and beginnings: a threshold that is both defined and infinite. She encounters a snake - a symbol of transformation and cyclical becoming. Her eyes closed ~ symbolising that she’s in a subconscious realm.
This is #3 of 4 in the Liminal Collection where a single image repeats across fibre, pain and print - shifting as it moves through each medium. Each material acts as its own world. Meaning is not fixed, but shaped by where and how.
Featured Products
A Tote-Making Practice for the Witch-Craft Home - A Digital Download PDF. A pattern to make at home with detailed instructions and pattern.
Something for or collecting, carrying, foraging, holding.
This is not a bag made in haste.
It is a vessel.
A thing made slowly, with hands that know the difference between utility and care.
A container for books and bread, herbs and thread, stones picked up for no reason other than that they asked to be held.
In the witch-craft home, usefulness is sacred.
This tote is stitched as a small domestic ritual — a practice of attention.
A rose. A dagger. A candle.
A fire that does not go out.
A hand-carved reduction linocut exploring the tension between softness and strength—between what fades and what endures.
Three symbols stand alone.
The candle burns steadily—devotion, presence, the quiet persistence of becoming.
The rose, suspended in descent, marks the beauty of what must wither in order to return.
The dagger cuts cleanly through illusion—a gesture toward clarity, instinct, and inner knowing.
Together, they form a study in cycles:
what ignites,
what falls away,
what remains.
Printed by hand using a two-layer reduction process, each impression carries subtle variations—evidence of the hand, not the machine. No further editions will be produced.
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Details
Original 2-layer reduction linocut
Limited edition of 6
Printed on Awagami Natural Kozo Fine Art Paper
A1 (59.4 x 84.1 cm)
Unframed
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Created as part of an ongoing exploration into ritual, rhythm, and the symbolic language of transformation.
A portal into feminine myth, transformation, and remembering.
A large-scale, handprinted linocut exploring the sacred feminine through snake mythology, symbolism, and ritual.
Showcase what this product is about. What’s it made of? How was it made? What are ways to enjoy it?
Ink, Fabric & Magic
I am a multidisciplinary artist-mother creating at the intersection of ink, fabric and magic.
Through The Alchemist Project, I ritualise creativity as a daily practice. My work moves between lino print, fiber-art, textile, storytelling and symbolic design. I am drawn to the esoteric and the elemental: the Wheel of the Year, myth, the quiet power of repetition, and the way symbolism can hold memory, intention and transformation all at once. My work is designed to feel like a talisman ~ something that carries meaning, marks a season, or honours a threshold.
As a Manifesting Generator (2/4), my process is cyclical and intuitive. I follow creative surges, work in devotion, and return again and again to the idea that rhythm is everything.
At its heart, The Alchemist Project is about story, mothers and makers and craft with depth. It is about remembering that creativity is not a luxury ~ it is a way of living in conversation with the world around us.
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